Today I heard that Alfred Brendel passed away. His recordings of Schubert, Beethoven and Mozart are some of my favourites, but he was also a keen writer and critic. His essays are just as worth reading as his recordings are worth listening. So in remembrance, I thought I’d share a bit of the opening to “Schubert’s Last Sonatas.”

Schubert’s death deprived us of a wealth of possible masterpieces, though hardly, as Franz Grillparzer’s epitaph suggests, of even fairer accomplishment. The last three sonatas should not be taken as a final message. As far as we know, they were composed in the brief period between May and September 1828. The fair copy was made just a few weeks before Schubert died of typhoid, his constitution already weakened by syphilis and by a burst of productivity frantic even by his standards. Since the death of his mother, he may have had to come to terms with a growing awareness of his mortality. Yet, when he completed his last sonatas (and most probably the C major Quintet) in the autumn of 1828, it seems to me that he had no intimation of imminent death.1

You can listen to Brendel play all three sonatas on YouTube, here.


  1. “Schubert’s Last Sonatas,” in Alfred Brendel On Music: His Collected Essays, New Edition 2007, p. 153. ↩︎